We all know what happens in a post-apocalyptic world where there isn’t any power, petrol is scarce and the population has been decimated but what if the equivalent of a nuclear Armageddon happened in a fantasy realm? What if there aren’t any heroes and the magic is scarce and what’s left of the population has formed factions against each other?
If this intrigues you then you should be picking up Coda #1 from Boom! Studios, released this week.
Coda is written by Simon Spurrier and illustrated by Matias Bergara. It tells the story of Hum, a wandering bard who manages to find himself in a scrape wherever he goes. Luckily for Hum he travels on a rare Unicorn whose viciousness is only equalled by his loyalty.
The world that Spurrier and Bergara have created is a sprawling fantasy populated with an array of outlandish characters. All walks of life and villainy are represented with the central character being far from a holier than thou fellow himself. The world has been tainted by the mystical event which has robbed it of most of the magic and this is evident thanks to the multitude of gruesome scenes and quirky illustrative style.
The opening starts with the hero, Hum, mining the innards of a rotting dragon who has yet to leave the world of the living. It screams in anger and frustration but also pleads for help and companionship. This lost soul, a remnant of the magical world, and the duality it displays is a fair representation of this comic’s narrative. Spurrier has written a comic that overlays the usual fantasy elements of stories like Lord of the Rings, onto the harsher, bleak world views of The Walking Dead. Coda is a sword and sorcery version of Jonathan Hickman’s East of West.
Matias Bergara’s artwork also has this uncomfortable duality to it. On the one hand it is bright and fun with playful character design however the putrid colour tones which feature heavily on each page give the landscape the feel of rotting flesh, of degradation. The setting is deliberately uninviting so the reader latches onto the character they are given as a hero and follows him, hopefully to a better place.
Large vistas drown out the characters giving the comic the sense of grandeur and when the story rolls into Ridgetown, the vast tower city, the scope of the world that Spurrier is building is revealed. The city scape extends forever upwards and the cast of characters inhabiting the city are varied and complex. Comedy and tragedy play out through the various scenes, linked by the semi-hero Hum. It is a wonder to behold.
Coda is a fast paced, adventurous romp with a complex central character and one of the best steads committed to paper. Spurrier knows how to write fantasy with enough familiarity to hook the reader but also plays with the genre to create scenes reminiscent of 60’s road movies or Shakespearian comedies. The art work feeds the wayward narrative, again mixing up genres to create a new visual language for this new world. Every aspect of this first issue, including the colour work and lettering, works together to produce a uniquely enthralling read.
Published by Boom! Studios
Written by Simon Spurrier
Illustrated by Matias Bergara
Colours by Michael Doig
Letters by Colin Bell