Volume 1 of Days Of Hate from Image Comics is released this week.
And it is worth checking out if you’ve not been reading the monthlies.
Don’t believe me? Here’s why I think you should.
In a not too distant future, one that doesn’t look too dissimilar to our present, a run down, broken America struggles with its internal prejudices. On one coast gangs rule the streets and the other a more political game is being played; equally as deadly.
And so begins Ales Kot’s thriller which poses the question, how bad can the current situation get? The social and political climate that Kos depicts in Days of Hate aren’t that far removed from the world we live in. He gives us two, female, central characters who seem so different in their outlook but there is a connection between them; a link that is brilliantly illustrated early on in the comic by following the flight of a bird as it crosses a page transition.
Through these two characters the creators are able to establish the world that they live in while building an intriguing plot shrouded in mystery and inhabited by a number of fascinating characters.
Danijel Zezelj is creates atmosphere by packing his panels with extras and detailed interiors while in contrast the outdoor scenes are sparser, open spaces. This makes the reader feel trapped in this world, hidden away in the recesses of a scared country. Jordie Bellaire’s colours reinforce this point. She gives each scene its own tone simply by highlighting one particular colour throughout a given sequence. For instance, Amanda’s journey to the all American Diner in issue 1 is soaked in a pinkish red which reflects the gaudiness of the venue but is also an omen of things to come. And one chapter has three distinct time periods each with their own hue.
Every aspect of Days of Hate appears to have the same thoughtfulness applied to it which makes this a superb, if sometimes challenging, read. The story flows effortlessly through the page transitions, flicking back and forth between the central characters and their lives. Each section of the comic feeds off and responds to each other creating a single narrative unit. To take away any section of the comic would create a hole in the narrative which may not be obvious, but it would be there, niggling at the back of your mind like a fake news story ringing muffled bells of warning.
Elements of socially accepted racism, expressions of inner turmoil and opposing personal/professional beliefs make Days of Hate an insightful read. Kot does not make this easy for the reader and just like the real world, the simple good/evil dynamics of the superhero genre have no place here. Each character is multi-layered and the creators take time to portray the different aspects of each. There are twists and turns that build the characters as they move slowly forward through the narrative. It is difficult to tell what is going to happen next and this is another highlight of this comic. Its unpredictability makes it a refreshing read.
Days of Hate is an outstanding character driven narrative with some of my favourite comic book art from recent years. There are some pages that are beautiful, stand alone, works of Art. This is a comic that I would recommend to anyone. It has an engaging story and wonderfully designed layouts which allow the story to flow from panel to panel, page to page. There is a lot going on visually and narratively. For an immersive comic reading experience you can’t go wrong with Volume 1 of Days of Hate.
Days of Hate Act 1 (collecting issues 1 – 6)
Written by Ales Kot
Art by Danijel Zezelj
Colours by Jordie Bellaire
Lettering by Aditya Bidikar
Published by Image Comics
(some of this may have been unashamedly plagiarised for some of my early reviews of the monthlies, please feel free to re-read everything I've written to find out which bits came from where)